array(1) {
[0]=>
string(156) "Grave of Mark Sandman. Mark Sandman was born on September 24, 1952 and died in Giardini del Principe, Palestrina, Italy due to Heart attack on July 3, 1999."
}
array(1) {
[0]=>
string(174) "Grave of Bunk Johnson. Bunk Johnson was born on December 27, 1885 and died in 638 Franklin Street, New Iberia, Louisiana due to Lingering effects of a stroke on July 7, 1949."
}
From the late 1930's on, Mr. Biggs was a dominant figure in the U.S. in arousing interest in serious organ music and in changing the style of its performance. Through his concert tours, weekly recitals over Columbia Broadcasting System's coast‐to‐coast network and recordings he reached millions of listeners, persuading them of the glories of organ music and of its authentic performance. During his career Biggs recorded over 50 albums for the Columbia Masterworks Records and RCA Victor labels for more than three decades. Between 1942 and 1958, he also hosted a weekly radio program of organ music (carried throughout the United States on the CBS Radio Network) that introduced audiences to the pipe organ and its literature.
Cemetery Information:
Final Resting Place:
Mount Auburn Cemetery
580 Mount Auburn Street
Cambridge, Massachusetts, 02138
USA
North America
Map:
Grave Location:
Privet Path, Lot 10099, Space 1
Grave Location Description
Park at the intersection of Story Road and Almy Road. Walk up Almy Road and take the Privet Path on your right. Walk along the Privet Path for approximately 200 feet and look to your left, about 75 feet from the path you will see the grey tombstone of Mr. and Mrs. Biggs.
Grave Location GPS
42.36720228, -71.17412577
Photos:
Read More About E. Power Biggs:
Videos Featuring E. Power Biggs:
E. Power Biggs (pedal harpsichord) Scott Joplin, Vol II
E. Power Biggs plays Grieg's "In the Hall of the Mountain King" on Pedal Harpsichord
The E. Power Biggs Radio Program No. 1
E. Power Biggs - Prince of Denmark's March
E. Power Biggs plays Bach Passacaglia & Fugue in C minor BWV 582
E. Power Biggs: Remarks At Radio City Music Hall, March 2, 1973
See More:
J.B. Lenoir
popular name: J.B. Lenoir
date_of_death: April 29, 1967
age: 38
cause_of_death: Internal bleeding (untreated) after an auto accident
claim_to_fame: Music
best_know_for: Monticello area native J. B. Lenoir was a distinctive blues artist, in both his high-pitched singing style and the candid political critiques in many of his song lyrics and is best remembered for his 1955 hit “Mama, Talk to Your Daughter". He died on April 29, 1967, in Urbana, Illinois, at the age 38, of internal bleeding related to injuries he had suffered in a car crash three weeks earlier. The 2003 documentary film The Soul of a Man, directed by Wim Wenders as the second installment of Martin Scorsese's series The Blues, explored Lenoir's career, together with those of Skip James and Blind Willie Johnson. In 2011, Lenoir was inducted into the Blues Hall of Fame.
Freddie King
popular name: Freddie King
date_of_death: December 28, 1976
age: 42
cause_of_death: Stomach ulcers and acute pancreatitis
claim_to_fame: Music
best_know_for: Known as one of the Three Kings of Blues (along with Albert King and B.B. King) Freddie King was the stylistic heir to T-Bone Walker and B.B. King. He would have been remembered as a great Texas blues legend had not been the for the fact he moved Chicago. Between 1960 and 1964 he recorded over 100 sides that are now considered the definitive interpretations of blues standards including Hideaway and I'm Goin' Down. Ranked by Rolling Stone magazine as the 25th greatest guitar player, he was also inducted into the Rock and Roll Hall of Fame.
Charlie Parker
popular name: Charlie Parker
date_of_death: March 12, 1955
age: 34
cause_of_death: Pneumonia, a bleeding ulcer, cirrhosis of the liver and a heart attack
claim_to_fame: Music
best_know_for: Charlie Parker was a highly influential soloist and leading figure in the development of bebop jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was a blazingly fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Often accompanied by the likes of Miles Davis, John Lewis, Dizzy Gillespie, Duke Jordan, or Max Roach, Parker's wild excesses never seemed—at least until the very end of his life—to interfere with his music.
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