George Inness

AKA:
The Father of American Landscape Painting
Birth Name:
George Inness
Birth Date:
May 1, 1825
Birth Place:
Newburgh, New York
Death Date:
August 3, 1894
Place of Death:
Bridge of Allan, Scotland
Age:
69
Cause of Death:
Heart attack
Cemetery Name:
Rosedale Cemetery
Claim to Fame:
Artists
Often called "the father of American landscape painting", George Inness was a prominent American landscape painter during the late 1800s. Although Inness's style evolved through distinct stages over a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. Neither pure realist nor impressionist, Inness was a transitional figure who intended for his works to combine both the earthly and the ethereal in order to capture the complete essence of a locale. A master of light, color, and shadow, he became noted for creating highly ordered and complex scenes that often juxtaposed hazy or blurred elements with sharp and refined details to evoke an interweaving of both the physical and the spiritual nature of experience.

Fun Facts

Inness died in 1894 at Bridge of Allan in Scotland. According to his son, he was viewing the sunset when he threw up his hands into the air and exclaimed, “My God! oh, how beautiful!”, fell to the ground, and died minutes later.

George Inness’s work has been offered at auction multiple times, with realized prices ranging from $360 to $1,945,000 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is $1,945,000 USD for Sunset on the River, sold at Christie’s New York in 2008.

Cemetery Information:

Final Resting Place:

Rosedale Cemetery

408 Orange Road

Montclair, New Jersey, 07042

USA

North America

Map:

Map of Rosedale Cemetery in Montclair, New Jersey

Grave Location:

Plot 25, Lots 47 and 48

Grave Location Description

As you enter the cemetery take the first right and drive a short distance until you see the white “Hartford” mausoleum. Make a sharp left with the Hartford mausoleum on your right and drive up to the intersection and park. Directly across the road from Hartford is George Inness and his wife to the right of the large sarcophagus of his son, George Inness, Jr.

Grave Location GPS

40.79088642, -74.22179075

Photos:

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FAQ's

George Inness was born on May 1, 1825.

George Inness was born in Newburgh, New York.

George Inness died on August 3, 1894.

George Inness died in Bridge of Allan, Scotland.

George Inness was 69.

The cause of death was Heart attack.

George Inness's grave is in Rosedale Cemetery

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Winslow Homer

popular name: Winslow Homer

date_of_death: September 29, 1910

age: 74

cause_of_death: Heart failure

claim_to_fame: Artists

best_know_for: Winslow Homer was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations. Microsoft co-founder Bill Gates set what was then an American art record when he bought Winslow Homer's "Lost on the Grand Banks" for $36 million in 1998.

Georges Seurat

popular name: Georges Seurat

date_of_death: March 29, 1891

age: 31

cause_of_death: Infectious angina, meningitis, pneumonia

claim_to_fame: Artists

best_know_for: Georges Seurat was a French painter and one of the pioneers of the Pointillist movement, a technique where paintings are made up of tiny dots of color. Born on December 2, 1859, in Paris, Seurat studied at the École des Beaux-Arts, where he developed his unique style. His most famous work, A Sunday Afternoon on the Island of La Grande Jatte (1884–1886), exemplifies Pointillism, using meticulous color theory to create vibrant, luminous scenes and is considered one of the icons of late 19th-century painting. Seurat's approach was rooted in scientific studies of color and optics, drawing on the work of theorists like Michel Eugène Chevreul. Although his career was short—he died in 1891 at just 31—his influence on modern art was profound. Seurat also worked with large-scale compositions, focusing on the impact of light and color. His innovative techniques laid the foundation for future movements such as Post-Impressionism and even elements of abstraction. Despite his early death, Seurat's legacy endures, and he remains a significant figure in the evolution of modern art. Upon his untimely death, he was laid to rest at Cimetière du Père-Lachaise in Paris, France.

Gustave Caillebotte

popular name: Gustave Caillebotte

date_of_death: February 21, 1894

age: 45

cause_of_death: Stroke

claim_to_fame: Artists

best_know_for: Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. He was noted for his early interest in photography as an art form, and is best known for his paintings of urban Paris, such as The Europe Bridge (Le Pont de l'Europe) (1876), and Paris Street; Rainy Day (Rue de Paris; temps de pluie, also known as La Place de l'Europe, temps de pluie) (1877). Born in Paris in 1848, Caillebotte studied law and engineering before fighting in the Franco–Prussian War from 1870 to 1871. After the war’s end, he studied at the studio of Léon Bonnat and later at the École des Beaux Arts. Upon meeting Edgar Degas, Auguste Renoir and Claude Monet, Caillebotte experimented further with capturing the changing face of everyday Parisian life. Caillebotte made his debut in the second Impressionist exhibition in 1876, showing eight paintings, including Les raboteurs de parquet (The Floor Scrapers) (1875), his earliest masterpiece. Cropping and "zooming-in", techniques that commonly are found in Caillebotte's oeuvre, may also be the result of his interest in photography, but may just as likely be derived from his intense interest in perspective effects. A large number of Caillebotte's works also employ a very high vantage point, including View of Rooftops (Snow) (Vue de toits (Effet de neige)) (1878), Boulevard Seen from Above (Boulevard vu d'en haut) (1880), and A Traffic Island (Un refuge, boulevard Haussmann) (1880).

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