Johann Strauss ll

popular name: Lemmy Kilmister

date_of_death: December 28, 2015

age: 70

cause_of_death: Prostate cancer, cardiac arrhythmia, and congestive heart failure

claim_to_fame: Music

best_know_for: Inspired by the Beatles and worked as a roadie for the Jimi Hendrix Experience in the 1960s, Lemmy Kilmister was the pure embodiment of the rock 'n' roll spirit. A fixture at the Rainbow on Hollywood Blvd when not on the road, Lemmy had his first taste of success as a member of Hawkwind, where he developed a distinctive bass style and sang lead vocals on the 1972 hit "Silver Machine." In 1975, Kilmister founded Motorhead, a band that has had an enormous influence on the heavy metal genre, largely because of Kilmister's furious bass playing, guttural vocals and innovative songwriting. His unique style brought punk influences to heavy metal, resulting in metal classics such as "Ace of Spades" and "Overkill." Kilmister also co-wrote songs for Ozzy Osbourne's 1991 album, "No More Tears," including the No. 2 hit "Mama, I'm Coming Home" and the Grammy-winning "I Don't Want To Change the World." The intimidating warrior with a wart and rasping voice, always with a bottle of whiskey in his hand and a cigarette in his mouth was also a really kind guy; one of the nicest in the business.

popular name: Artie Shaw

date_of_death: December 30, 2004

age: 94

cause_of_death: Natural causes

claim_to_fame: Music

best_know_for: Widely regarded as "one of jazz's finest clarinetists", Artie Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. At the height of his popularity, he remained a force in popular music and jazz before retiring from music completely in 1954.

popular name: Luther Vandross

date_of_death: July 1, 2005

age: 54

cause_of_death: Heart attack

claim_to_fame: Music

best_know_for: Luther Vandross was an American soul and R&B singer, songwriter, and record producer. Throughout his career, he achieved eleven consecutive RIAA-certified platinum albums and sold over 40 million records worldwide. After a short stint at college and drifting through numerous groups and as a backup singer, in 1974 after a short stay with David Bowie, Luther worked with a vast array of award-winning recording artists including Roberta Flack, Chaka Khan, Ben E. King, Bette Midler, Diana Ross, Carly Simon, Barbra Streisand, Cat Stevens, Gary Glitter, Ringo Starr, Sister Sledge, and Donna Summer. Across the next decade, Vandross would top the US R&B charts six more times - so successful was he, and, at times, so large his girth, that he was nicknamed "the Pavarotti of pop". British audiences embraced him in the late 1980s: Never Too Much hit the British top 20 eight years after it was an American hit. At one point, he had three albums simultaneously in the top 100. Vandross's greatest hits of that era - Stop To Love, There's Nothing Better Than Love, Any Love, Here And Now, Power Of Love/Love Power - established him as the most widely admired male soul singer of the post-disco era. Vandross continued to enjoy healthy sales in the early 1990s, but his glacial pop/soul style became increasingly predictable and he was soon overshadowed by a younger, more hip-hop oriented breed of male R&B singer. His last British hit was Endless Love, a duet with Mariah Carey in 1994. All in all, Vandross has been recognized as one of the 200 greatest singers of all time (2023) by Rolling Stone, as well as one of the greatest R&B artists by Billboard. In addition, NPR named him one of the 50 Great Voices. He was the recipient of eight Grammy Awards, including Song of the Year in 2004 for a track recorded not long before his death, "Dance with My Father". In 2021, he was posthumously inducted into the National Rhythm & Blues Hall of Fame.