Johann Strauss ll

popular name: Jimmy Reed

date_of_death: August 29, 1976

age: 50

cause_of_death: Respiratory failure due to epileptic seizure

claim_to_fame: Music

best_know_for: Jimmy Reed was an American blues musician and songwriter whose particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man" (1961), and "Bright Lights, Big City" (1961) appeared on both Billboard magazine's rhythm and blues and Hot 100 singles charts. In the beginning Reed learned the rudiments of guitar from his friend Eddie Taylor, a far more accomplished guitarist who would serve as Reed’s accompanist for much of his career. By the 1950s, Reed had established himself as a popular musician yet failed to gain a recording contract with Chess Records, but signed with Vee-Jay and began playing again with Eddie Taylor and soon released "You Don't Have to Go", his first hit record. It was followed by a long string of hit songs. Reed maintained his reputation despite his rampant alcoholism; his wife sometimes had to help him remember the lyrics to his songs while recording. In 1957, Reed developed epilepsy, though the condition was not correctly diagnosed for a long time, as Reed and doctors assumed it was delirium tremens. After his death his songs have been covered innumerable times, by artists as diverse as Tina Turner, The Rolling Stones, Grateful Dead, Etta James, Neil Young and The Righteous Brothers. BMI lists over 30 covers of “Baby What You Want Me to Do” alone, while Elvis Presley chose to sing “Big Boss Man” (one of the few Reed hits that was not from his own pen) on his 1968 television comeback special. Reed was posthumously inducted into the Blues Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1991.

popular name: Bunk Johnson

date_of_death: July 7, 1949

age: 63

cause_of_death: Lingering effects of a stroke

claim_to_fame: Music

best_know_for: Willie "Bunk" Johnson was an prominent jazz trumpeter in New Orleans who lied and/or exaggerated his role in the development of jazz that historians have a difficult time understanding the truth from fiction. But what everyone agrees on is that Johnson was regarded as one of the leading trumpeters in New Orleans in the years 1905–1915, in between repeatedly leaving the city to tour with minstrel shows and circus bands. In the 1920’s and 1930’s, Bunk Johnson spent much of his music-playing time in the southwest Louisiana/southeast Texas region with New Iberia, Louisiana as his “base” and primary residence. While in the area he played frequently with the locally-based Banner Band, which traveled in a variety of vehicles to nearby southern Louisiana and Texas towns. Unlike many other jazz musicians Bunk did not achieve great monetary wealth, but he never shied away from jobs that helped supplement his music income. Along the path of his life, Johnson worked in such jobs as funeral parlor work in Texas, dock work in San Francisco, cigar-making work in the upper mid-west, rice processing and sugar cane field truck-driving in Iberia Parish, and a music teacher in the Iberia Parish, Louisiana school system. In 1942 William Russell and two other jazz researchers went to New Orleans and made a series of records of Bunk playing with a band that included George Lewis (clarinet) and Jim Robinson (trombone). The researchers also interviewed Johnson, who claimed he had taught Louis Armstrong and Joe "King" Oliver (actually Louis Armstrong admitted he mimicked King Oliver and Bunk Johnson style - but never was taught by Bunk). With the help from contacts in Cleveland and the new recordings, Johnson set off on a wild seven-year jazz history odyssey, playing in San Francisco, Los Angeles, Boston, New York, New Orleans, Chicago and Philadelphia, being praised by the press, and making dozens of records that were said to be authentic recreations of the earliest forms of jazz. The enthusiastic jazz researchers who found Johnson and promoted him, quickly discovered, however, they had created something of a monster. According to the many, Bunk emerged as essentially a manipulative con man, often begging the researchers for money, frequently getting drunk, and sometimes failing to show up for concerts. Eventually, Johnson managed to alienate most of his friends. Sidney Bechet fired him from his band and Armstrong, who in 1939 praised Bunk as his "life-long inspiration," later said angrily, "Bunk taught me nothing!" The Bunk Johnson saga ended when he suffered two strokes in late 1948. He died the following July.

popular name: Wes Montgomery

date_of_death: June 15, 1968

age: 45

cause_of_death: Heart attack

claim_to_fame: Music

best_know_for: Guitar historians can easily trace a line through all the major influential artists from Lonnie Anderson to Eddie Lang, Charlie Christian and Django Reinhardt. Often that line of brillance ends at Wes Montgomery. Noted for his incrediable single note runs using his thumb, his style of jazz guitar was relaxed, unencumbered yet full of beauty and genius