Norman Rockwell

popular name: Georges Seurat

date_of_death: March 29, 1891

age: 31

cause_of_death: Infectious angina, meningitis, pneumonia

claim_to_fame: Artists

best_know_for: Georges Seurat was a French painter and one of the pioneers of the Pointillist movement, a technique where paintings are made up of tiny dots of color. Born on December 2, 1859, in Paris, Seurat studied at the École des Beaux-Arts, where he developed his unique style. His most famous work, A Sunday Afternoon on the Island of La Grande Jatte (1884–1886), exemplifies Pointillism, using meticulous color theory to create vibrant, luminous scenes and is considered one of the icons of late 19th-century painting. Seurat's approach was rooted in scientific studies of color and optics, drawing on the work of theorists like Michel Eugène Chevreul. Although his career was short—he died in 1891 at just 31—his influence on modern art was profound. Seurat also worked with large-scale compositions, focusing on the impact of light and color. His innovative techniques laid the foundation for future movements such as Post-Impressionism and even elements of abstraction. Despite his early death, Seurat's legacy endures, and he remains a significant figure in the evolution of modern art.

popular name: George Inness

date_of_death: August 3, 1894

age: 69

cause_of_death: Heart attack

claim_to_fame: Artists

best_know_for: Often called "the father of American landscape painting", George Inness was a prominent American landscape painter during the late 1800s. Although Inness's style evolved through distinct stages over a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. Neither pure realist nor impressionist, Inness was a transitional figure who intended for his works to combine both the earthly and the ethereal in order to capture the complete essence of a locale. A master of light, color, and shadow, he became noted for creating highly ordered and complex scenes that often juxtaposed hazy or blurred elements with sharp and refined details to evoke an interweaving of both the physical and the spiritual nature of experience.

popular name: Élisabeth Vigée Le Brun

date_of_death: March 30, 1842

age: 86

cause_of_death: Ill health due to stroke

claim_to_fame: Artists

best_know_for: Élisabeth Louise Vigée Le Brun was one of the great portrait artists in the late 18th and early 19th centuries, easily the equal of Quentin de La Tour or Jean Baptiste Greuze. Born into relatively modest circumstances, she firmly established herself in society’s upper crust. After earning the favours of the king and his family, she became the official artist of Queen Marie Antoinette. One of the most successful women artists (unusually so for her time), particularly noted for her portraits of women, her father and first teacher, Louis Vigée, was a noted portraitist who worked chiefly in pastels. Her great opportunity came in 1779 when she was summoned to Versailles to paint a portrait of Queen Marie-Antoinette. The two women became friends, and in subsequent years Vigée-Lebrun painted more than 20 portraits of Marie-Antoinette in a great variety of poses and costumes. She also painted a great number of self-portraits, in the style of various artists whose work she admired. During her 60+ years as an artist, Le Brun created 660 portraits and 200 landscapes. In addition to many works in private collections, her paintings are owned by major museums such as the Louvre in Paris, Hermitage Museum in Saint Petersburg, National Gallery in London, Metropolitan Museum of Art in New York, and many other collections in Europe and the United States. Since 1999 the record price for an original Elisabeth Vigée Le Brun at auction is $7,185,900 USD for Portrait of Muhammad Dervish Khan (full-length holding his sword in a landscape).