Andy Warhol

popular name: Gustave Caillebotte

date_of_death: February 21, 1894

age: 45

cause_of_death: Stroke

claim_to_fame: Artists

best_know_for: Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. He was noted for his early interest in photography as an art form, and is best known for his paintings of urban Paris, such as The Europe Bridge (Le Pont de l'Europe) (1876), and Paris Street; Rainy Day (Rue de Paris; temps de pluie, also known as La Place de l'Europe, temps de pluie) (1877). Born in Paris in 1848, Caillebotte studied law and engineering before fighting in the Franco–Prussian War from 1870 to 1871. After the war’s end, he studied at the studio of Léon Bonnat and later at the École des Beaux Arts. Upon meeting Edgar Degas, Auguste Renoir and Claude Monet, Caillebotte experimented further with capturing the changing face of everyday Parisian life. Caillebotte made his debut in the second Impressionist exhibition in 1876, showing eight paintings, including Les raboteurs de parquet (The Floor Scrapers) (1875), his earliest masterpiece. Cropping and "zooming-in", techniques that commonly are found in Caillebotte's oeuvre, may also be the result of his interest in photography, but may just as likely be derived from his intense interest in perspective effects. A large number of Caillebotte's works also employ a very high vantage point, including View of Rooftops (Snow) (Vue de toits (Effet de neige)) (1878), Boulevard Seen from Above (Boulevard vu d'en haut) (1880), and A Traffic Island (Un refuge, boulevard Haussmann) (1880).

popular name: Claude Monet

date_of_death: December 5, 1926

age: 86

cause_of_death: Lung cancer

claim_to_fame: Artists

best_know_for: Claude Monet was a French painter and a founder of the Impressionist movement, best known for his vibrant landscape paintings that capture the fleeting effects of light and atmosphere. Born on November 14, 1840, in Paris, Monet grew up in Le Havre, where he began his artistic journey by drawing caricatures. He later studied art in Paris and was deeply influenced by artists like Eugène Boudin and Johan Barthold Jongkind, who introduced him to painting outdoors, or en plein air. In the 1870s, Monet and other like-minded artists began exhibiting works that emphasized color, light, and movement over realistic detail, leading to the birth of Impressionism—a term derived from his painting Impression, Sunrise (1872). Despite early criticism, Monet persisted and eventually gained recognition. He spent the latter part of his life in Giverny, where he created his most famous series of water lilies, haystacks, and Rouen Cathedral paintings. Upon his death, he was laid to rest at Cimetiere de Giverny in France.

popular name: Jean-Auguste-Dominique Ingres

date_of_death: January 14, 1867

age: 86

cause_of_death: Pneumonia

claim_to_fame: Artists

best_know_for: Jean-Auguste-Dominique Ingres (1780–1867) was a French Neoclassical painter, widely regarded for his mastery in portraiture and his precise, smooth technique. Born in Montauban, France, Ingres showed early talent in drawing, leading him to study at the prestigious École des Beaux-Arts in Paris. He was a student of Jacques-Louis David, a leading figure in the Neoclassical movement, which emphasized order, clarity, and idealized forms. Ingres' career spanned several decades, during which he developed a style distinct from the Romantic movement that was emerging in France. Though he was often criticized for being too rigid and traditional, he stuck to his classical ideals, focusing on linear precision, a sense of balance, and attention to detail. His most famous works include portraits like Madame Moitessier, Mademoiselle Caroline Rivière (1806) and historical paintings such as The Apotheosis of Homer. In his lifetime, Ingres achieved considerable recognition, including being appointed the director of the French Academy in Rome, where he spent a significant period of his life. His influence extended beyond his own time, impacting later artists, including the development of academic and modernist art. Upon his death at the age of 82, Ingres was interred in the Père Lachaise Cemetery in Paris with a tomb sculpted by his student Jean-Marie Bonnassieux. The contents of his studio, including a number of major paintings, over 4000 drawings, and his violin, were bequeathed by the artist to the city museum of Montauban, now known as the Musée Ingres. Upon his death, he was interred at Cimetière du Père-Lachaise in Paris, France.