Arnold Schoenberg

popular name: Sam Phillips

date_of_death: July 30, 2003

age: 80

cause_of_death: Respiratory failure

claim_to_fame: Music

best_know_for: Sam Phillips was one of the true musical pioneers of the 20th century. A man who redefined the cultural landscape by producing and engineering local talent in his modest studio and distributing the results on his own Sun Records label. And while he may have only had moderate results with such discoveries as Johnny Cash, Howlin' Wolf, BB King and Roy Orbison, he became a legend recording and producing Jerry Lee Lewis, Carl Perkins and, of course, Elvis Presley. In the end, Sam was one of the main people responsible for breaking down the barriers between white and black music, melding country with blues, and creating the genre that we now refer to as rock & roll.

popular name: Artie Shaw

date_of_death: December 30, 2004

age: 94

cause_of_death: Natural causes

claim_to_fame: Music

best_know_for: Widely regarded as "one of jazz's finest clarinetists", Artie Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. At the height of his popularity, he remained a force in popular music and jazz before retiring from music completely in 1954.

popular name: Francesco Tamagno

date_of_death: August, 31, 1905

age: 54

cause_of_death: Cerebral Hemorrhage

claim_to_fame: Music

best_know_for: Francesco Tamagno (1850-1905) was considered the greatest dramatic tenor of his generation. During the last quarter of the 19th century, this legendary singer captured the attention of audiences everywhere with his performances in opera and concert. Born in Turin to a wine merchant and tavern keeper, Tamagno showed early promise as a singer, but was refused entry to the Turin Conservatory when he first applied at the age of seventeen. Not to be dissuaded, the young tenor repeatedly auditioned for the Teatro Regio in his hometown. Eventually he was accepted into the chorus and began studying with celebrated composer and teacher Carlo Pedrotti (1817-1893). The most famous heroic tenor of his age, Tamagno went on to perform in 26 countries, gaining renown for the power of his singing, especially in the upper register. Tamagno was among the rare species of singers known as a tenore robusto or tenore di forza, and critics likened the sound of his voice to that of a trumpet or even a cannon. Tamagno's vocal range extended up to high C-sharp during his prime. Best known as the creator of the protagonist's part in Verdi's Otello at La Scala, Milan in 1887, he also was the first Gabriele Adorno in Verdi's 1881 revision of Simon Boccanegra, a far more lyrical assignment than the "Moor of Venice". He participated in the premiere of Verdi's Italian-language version of Don Carlos when it was staged at La Scala in 1884, singing the eponymous role of the Infante of Spain. Five other operas in which Tamagno created leading roles were Carlos Gomes' Maria Tudor (in 1879), Amilcare Ponchielli's Il figliuol prodigo (1880) and Marion Delorme (1885), Ruggero Leoncavallo's I Medici (1893) and Isidore de Lara's Messaline (1899). Unfortunately, Tamagno’s career was not destined to be a lengthy one. As far back as 1887 (during rehearsals for the premiere of Otello), the tenor was suffering from chest pains and shortness of breath. Acute hypertension coupled with arteriosclerosis, eventually caused Tamagno to curtail his activities. After the turn of the century, the fifty year old singer had cut back his stage appearances markedly and began concentrating on concert work. His final performance seems to have been a recital in Turin in March of 1905. Several weeks later, the tenor suffered a serious heart attack and spent the summer convalescing at his villa in Varese. In mid-August, however, Tamagno suffered a massive stroke from which he never recovered. Paralyzed, the great tenor lingered for two weeks before dying from a second stroke on August 31. He was only fifty-four years old. Upon his death, he was laid to rest at Cimitero Monumentale di Torino in Turin, Piemonte, Italy.