King Oliver

Birth Name:
Joseph Nathan Oliver
Birth Date:
December 19, 1885
Birth Place:
Aben, Louisiana
Death Date:
April 10, 1938
Place of Death:
Savannah, Georgia
Age:
52
Cause of Death:
Arteriosclerosis
Cemetery Name:
Woodlawn Cemetery
Claim to Fame:
Music
A pioneering jazz trumpet and cornet player, songwriter and bandleader Joseph “King” Oliver played an instrumental role in the popularization of jazz outside of New Orleans. Though born in Louisiana, Oliver spent much of his career in Chicago, where he established his legendary King Oliver’s Creole Jazz Band. Initially, the band included Louis Armstrong, formerly Oliver’s student in New Orleans. Ironically, Armstrong’s success ultimately overshadowed his mentor’s reputation as a jazz pioneer. As both a teacher and a musician, however, Oliver played an important role in the early history of jazz. Upon his death he was buried at Woodlawn Cemetery in the Bronx, New York City

A Very Sad Ending …

The end of Joe Oliver’s life was less than happy. His career-long dental problems, likely exacerbated by his habit of sipping sugar water “for energy” during performances, made it increasingly difficult to play the cornet. He lost his life savings in a bank collapse during the Great Depression, and spent the last years of his life touring with bands of increasing obscurity. Things only got worse when Oliver finally landed a long-term contract playing in New York’s Kentucky Club for pretty decent money, but made another bad decision when he passed up the chance to go to the newer Cotton Club because they paid less. Oliver unfortunately failed to take the powerful “Struggle Buggy Radio” broadcasts into account, something that Ellington, and his manager Irving Mills, did not overlook. The result was that Ellington’s fame grew while Oliver’s diminished. Later he was hired by the Savoy Ballroom before Chick Webb took up residence, but was unsatisfied with the pay. He tried to wangle more money out of management, but the end result was that he lost the job. Webb moved in as Oliver finally just gave up and moved back to Savannah, Georgia.

In Savannah Oliver was working in a pool hall trying to make enough money to buy an overcoat so he can get back to New York in the wintertime. But he never makes it. He dies, and there’s no money to bury him. Fortunately Louis Armstrong comes up with enough money to bury him at Woodlawn Cemetery in New York City, and he was pretty much forgotten until the hot jazz resurgence some 50 years after his passing.

Cemetery Information:

Final Resting Place:

Woodlawn Cemetery

4199 Webster Avenue

Bronx, New York, 10470

USA

North America

Map:

Map of Woodlawn Cemetery in the Bronx in New York City
Map of Woodlawn Cemetery in the Bronx in New York City

Grave Location:

Salvia Plot, Section 195, Range 16

Grave Location Description

Drive to the lower part of the cemetery (C-2 on the official cemetery map) and take Canna Avenue around until it turns into Heliotrope Avenue. Park and walk to the edge of the cemetery. King Oliver is buried in a shared grave and 2nd to the left of one of the large trees across from a red brick building on the other side of the fence.

Grave Location GPS

40.880349723923736, -73.87263773346578

Photos:

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FAQ's

King Oliver was born on December 19, 1885.

King Oliver was born in Aben, Louisiana.

King Oliver died on April 10, 1938.

King Oliver died in Savannah, Georgia.

King Oliver was 52.

The cause of death was Arteriosclerosis.

King Oliver's grave is in Woodlawn Cemetery

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Videos Featuring King Oliver:

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Mahalia Jackson

popular name: Mahalia Jackson

date_of_death: January 27, 1972

age: 60

cause_of_death: Post surgical complications to remove a bowel obstruction

claim_to_fame: Music

best_know_for: Known as the Queen of Gospel Music, Mahalia Jackson was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to the development and spread of gospel blues in black churches throughout the U.S. During a time when racial segregation was pervasive in American society, she met considerable and unexpected success in a recording career, selling an estimated 22 million records and performing in front of integrated and secular audiences in concert halls around the world. Nationwide recognition came for Jackson in 1947 with the release of "Move On Up a Little Higher", selling two million copies and hitting the number two spot on Billboard charts, both firsts for gospel music. Jackson's recordings captured the attention of jazz fans in the U.S. and France, and she became the first gospel recording artist to tour Europe. She regularly appeared on television and radio, and performed for many presidents and heads of state. In January 1972, she received surgery to remove a bowel obstruction and died in recovery. Although news outlets had reported on her health problems and concert postponements for years, her death came as a shock to many of her fans. She received a funeral service at Greater Salem Baptist Church in Chicago where she was still a member. Fifty thousand people paid their respects, many of them lining up in the snow the night before, and her peers in gospel singing performed in her memory the next morning. The day after, Mayor Richard Daley and other politicians and celebrities gave their eulogies at the Arie Crown Theater with 6,000 in attendance. Her body was returned to New Orleans where she lay in state at Rivergate Auditorium under a military and police guard, and 60,000 people viewed her casket. She was later laid to rest at Providence Memorial Park in Metairie, Louisiana.

Gioachino Rossini

popular name: Gioachino Rossini

date_of_death: November 13, 1868

age: 76

cause_of_death: Colorectal cancer

claim_to_fame: Music

best_know_for: Gioachino Antonio Rossini was the most significant Italian composer of the first half of the nineteenth century. Although he wrote many songs including chamber music and piano pieces, Rossini is most famous for his 39 operas, in particular his comic operas for which he set new standards of composition. Gioachino Rossini’s most famous works include The Barber of Seville (1816), Cinderella (La Cenerentola) (1817) and William Tell (1829). Influenced by the French, he broke traditional forms of opera using unusual rhythms and bring the orchestra to the fore, however his style was tempered by changing tastes and a move away from a more formal ‘classicist’ style to Romanticism. When the family moved to Lugo in 1802, Rossini began studying music with a local priest and was inspired by his collection of Mozart and Haydn. A quick learner, by the age of 12 Rossini had composed six sonatas and two years later he joined Bologna’s Philharmonic School and composed his first opera – Demetrio e Polibio (1806). In 1810 alone, Rossini staged his first opera in 1810 to great success and financial reward and this was quickly followed by three more operas in addition to directing Haydn’s The Seasons in Bologna. In 1812, his two-act comedy La pietra del paragone ran for 53 performances at La Scala in Milan bringing him more financial benefits. Gioachino Rossini announced his retirement from opera in 1829 at the age of 37. However, he continued to compose music after his retirement. Rossini's final opera was Guillaume Tell, which premiered in 1829. Afterwards he negotiated a contract with King Charles X of France for a lifetime annuity in exchange for his retirement. Unfortunately, the July Revolution of 1830 deposed King Charles X and deprived Rossini of his pension. Rossini returned to Paris in 1855 and wrote Petite messe solennelle in 1864. Four years later he  died in France in 1868 after an unsuccessful operation for colorectal cancer. He was buried at Santa Croce Basilica in Florence, Italy.

E. Power Biggs

popular name: E. Power Biggs

date_of_death: March 10, 1977

age: 70

cause_of_death: Bleeding ulcers

claim_to_fame: Music

best_know_for: From the late 1930's on, Mr. Biggs was a dominant figure in the U.S. in arousing interest in serious organ music and in changing the style of its performance. Through his concert tours, weekly recitals over Columbia Broadcasting System's coast‐to‐coast network and recordings he reached millions of listeners, persuading them of the glories of organ music and of its authentic performance. During his career Biggs recorded over 50 albums for the Columbia Masterworks Records and RCA Victor labels for more than three decades. Between 1942 and 1958, he also hosted a weekly radio program of organ music (carried throughout the United States on the CBS Radio Network) that introduced audiences to the pipe organ and its literature.

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