King Oliver

Birth Name:
Joseph Nathan Oliver
Birth Date:
December 19, 1885
Birth Place:
Aben, Louisiana
Death Date:
April 10, 1938
Place of Death:
Savannah, Georgia
Age:
52
Cause of Death:
Arteriosclerosis
Cemetery Name:
Woodlawn Cemetery
Claim to Fame:
Music
A pioneering jazz trumpet and cornet player, songwriter and bandleader Joseph “King” Oliver played an instrumental role in the popularization of jazz outside of New Orleans. Though born in Louisiana, Oliver spent much of his career in Chicago, where he established his legendary King Oliver’s Creole Jazz Band. Initially, the band included Louis Armstrong, formerly Oliver’s student in New Orleans. Ironically, Armstrong’s success ultimately overshadowed his mentor’s reputation as a jazz pioneer. As both a teacher and a musician, however, Oliver played an important role in the early history of jazz. Upon his death he was buried at Woodlawn Cemetery in the Bronx, New York City

A Very Sad Ending …

The end of Joe Oliver’s life was less than happy. His career-long dental problems, likely exacerbated by his habit of sipping sugar water “for energy” during performances, made it increasingly difficult to play the cornet. He lost his life savings in a bank collapse during the Great Depression, and spent the last years of his life touring with bands of increasing obscurity. Things only got worse when Oliver finally landed a long-term contract playing in New York’s Kentucky Club for pretty decent money, but made another bad decision when he passed up the chance to go to the newer Cotton Club because they paid less. Oliver unfortunately failed to take the powerful “Struggle Buggy Radio” broadcasts into account, something that Ellington, and his manager Irving Mills, did not overlook. The result was that Ellington’s fame grew while Oliver’s diminished. Later he was hired by the Savoy Ballroom before Chick Webb took up residence, but was unsatisfied with the pay. He tried to wangle more money out of management, but the end result was that he lost the job. Webb moved in as Oliver finally just gave up and moved back to Savannah, Georgia.

In Savannah Oliver was working in a pool hall trying to make enough money to buy an overcoat so he can get back to New York in the wintertime. But he never makes it. He dies, and there’s no money to bury him. Fortunately Louis Armstrong comes up with enough money to bury him at Woodlawn Cemetery in New York City, and he was pretty much forgotten until the hot jazz resurgence some 50 years after his passing.

Cemetery Information:

Final Resting Place:

Woodlawn Cemetery

4199 Webster Avenue

Bronx, New York, 10470

USA

North America

Map:

Map of Woodlawn Cemetery in the Bronx in New York City
Map of Woodlawn Cemetery in the Bronx in New York City

Grave Location:

Salvia Plot, Section 195, Range 16

Grave Location Description

Drive to the lower part of the cemetery (C-2 on the official cemetery map) and take Canna Avenue around until it turns into Heliotrope Avenue. Park and walk to the edge of the cemetery. King Oliver is buried in a shared grave and 2nd to the left of one of the large trees across from a red brick building on the other side of the fence.

Grave Location GPS

40.880349723923736, -73.87263773346578

Photos:

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FAQ's

King Oliver was born on December 19, 1885.

King Oliver was born in Aben, Louisiana.

King Oliver died on April 10, 1938.

King Oliver died in Savannah, Georgia.

King Oliver was 52.

The cause of death was Arteriosclerosis.

King Oliver's grave is in Woodlawn Cemetery

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Eddy Howard

popular name: Eddy Howard

date_of_death: September 12, 1914

age: 48

cause_of_death: Cerebral hemorrhage

claim_to_fame: Music

best_know_for: Eddy Howard was an American vocalist and bandleader who was popular during the 1940s and 1950s who scored his first No. 1 single for Eddy Howard and his Orchestra, "To Each His Own" which spent five non-consecutive weeks at the top of the U.S. pop chart in 1946. The song was a tie-in with the 1946 Paramount film, To Each His Own, which brought Academy Awards for Olivia de Havilland and screenwriter Charles Brackett. The recording first reached the Billboard chart on July 11, 1946 and spent a total of 19 weeks on the chart. The recording sold over two million copies by 1957, and was awarded a gold disc by the RIAA. In 1949 Howard signed to Mercury Records. His popularity continued into the 1950s with tracks such as "Maybe It's Because", and "(It's No) Sin", which became Howard's second No. 1 tune, sold over one million copies, and was awarded a gold disc. It was also a million selling hit for The Four Aces. Howard's last hit was "The Teen-Ager's Waltz", which peaked at No. 90 on the Billboard Top 100 chart in 1955. Howard's star rose again during the 1960s as part of the revival of interest in Big Band music after which he semi-retired to Palm Springs, California

Harry Nilsson

popular name: Harry Nilsson

date_of_death: January 15, 1994

age: 52

cause_of_death: Heart attack

claim_to_fame: Music

best_know_for: A leading pop songwriter first, and a performer a distant second Harry Nilsson was never able to fully develop his talent and instead was more widely regarded for his erratic rock 'n' roll lifestyle. Nilsson began writing songs in the early sixties while working the late shift in the computer department of a large California bank. After struggling for 5 years, he sold the songs "Paradise" and "Here I Sit" to producer and future murderer Phil Spector and the Ronettes. He signed a recording contract with RCA after he sold songs to The Monkees and the fledging Yardbirds. In 1967 he released the critically acclaimed album "The Pandemonium Shadow Show", showcasing his three-octave range while still working at the bank. The album did not go unnoticed by the Beatles and soon Nilsson became good friends with the Fab Four. Nilsson scored his first Top Ten hit with "Everybody's Talkin'", the theme song from the movie "Midnight Cowboy" (ironically written by someone else). In 1971 he scored big with his most commercially successful album "Nilsson Schmilsson," which included the emotive ballad "Without You." But Nilsson's problems began with the infamous year-long "lost weekend" with John Lennon during Lennon's split with Yoko Ono. The year long sessions of drinking and debauchery stayed with Nilsson the rest of his life. Another setback came when, after Lennon offered to produce Nilsson's next album, Nilsson lost the upper register of his voice for much of the recording sessions. Failing in health during the nineties, Nilsson passed away in his sleep from a massive heart attack just two days after putting the final vocal tracks down on his last album.

Francesco Tamagno

popular name: Francesco Tamagno

date_of_death: August, 31, 1905

age: 54

cause_of_death: Cerebral Hemorrhage

claim_to_fame: Music

best_know_for: Francesco Tamagno (1850-1905) was considered the greatest dramatic tenor of his generation. During the last quarter of the 19th century, this legendary singer captured the attention of audiences everywhere with his performances in opera and concert. Born in Turin to a wine merchant and tavern keeper, Tamagno showed early promise as a singer, but was refused entry to the Turin Conservatory when he first applied at the age of seventeen. Not to be dissuaded, the young tenor repeatedly auditioned for the Teatro Regio in his hometown. Eventually he was accepted into the chorus and began studying with celebrated composer and teacher Carlo Pedrotti (1817-1893). The most famous heroic tenor of his age, Tamagno went on to perform in 26 countries, gaining renown for the power of his singing, especially in the upper register. Tamagno was among the rare species of singers known as a tenore robusto or tenore di forza, and critics likened the sound of his voice to that of a trumpet or even a cannon. Tamagno's vocal range extended up to high C-sharp during his prime. Best known as the creator of the protagonist's part in Verdi's Otello at La Scala, Milan in 1887, he also was the first Gabriele Adorno in Verdi's 1881 revision of Simon Boccanegra, a far more lyrical assignment than the "Moor of Venice". He participated in the premiere of Verdi's Italian-language version of Don Carlos when it was staged at La Scala in 1884, singing the eponymous role of the Infante of Spain. Five other operas in which Tamagno created leading roles were Carlos Gomes' Maria Tudor (in 1879), Amilcare Ponchielli's Il figliuol prodigo (1880) and Marion Delorme (1885), Ruggero Leoncavallo's I Medici (1893) and Isidore de Lara's Messaline (1899). Unfortunately, Tamagno’s career was not destined to be a lengthy one. As far back as 1887 (during rehearsals for the premiere of Otello), the tenor was suffering from chest pains and shortness of breath. Acute hypertension coupled with arteriosclerosis, eventually caused Tamagno to curtail his activities. After the turn of the century, the fifty year old singer had cut back his stage appearances markedly and began concentrating on concert work. His final performance seems to have been a recital in Turin in March of 1905. Several weeks later, the tenor suffered a serious heart attack and spent the summer convalescing at his villa in Varese. In mid-August, however, Tamagno suffered a massive stroke from which he never recovered. Paralyzed, the great tenor lingered for two weeks before dying from a second stroke on August 31. He was only fifty-four years old. Upon his death, he was laid to rest at Cimitero Monumentale di Torino in Turin, Piemonte, Italy.

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