Winslow Homer

popular name: George Inness

date_of_death: August 3, 1894

age: 69

cause_of_death: Heart attack

claim_to_fame: Artists

best_know_for: Often called "the father of American landscape painting", George Inness was a prominent American landscape painter during the late 1800s. Although Inness's style evolved through distinct stages over a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. Neither pure realist nor impressionist, Inness was a transitional figure who intended for his works to combine both the earthly and the ethereal in order to capture the complete essence of a locale. A master of light, color, and shadow, he became noted for creating highly ordered and complex scenes that often juxtaposed hazy or blurred elements with sharp and refined details to evoke an interweaving of both the physical and the spiritual nature of experience.

popular name: Camille Pissarro

date_of_death: November 13, 1903

age: 73

cause_of_death: Sepsis

claim_to_fame: Artists

best_know_for: Camille Pissarro (1830–1903) was a French Danish painter and one of the key figures in the development of Impressionism and Post-Impressionism. Born in the Danish West Indies (now the U.S. Virgin Islands), he moved to France at age 12 to study art. His early work was influenced by the realism of Gustave Courbet, but over time, Pissarro became a central figure in the Impressionist movement. Pissarro's style evolved throughout his career, initially focusing on capturing the effects of light and atmosphere in natural scenes. He was a key contributor to the group's revolutionary approach to painting, using loose brushwork and an emphasis on outdoor scenes. His work often depicted rural landscapes, urban scenes, and daily life. Later, influenced by Georges Seurat's pointillism, Pissarro incorporated this technique into his work during his time in Paris. Pissarro was not only important as an artist but also as a mentor and friend to many other artists, including Paul Cézanne, Paul Gauguin,, Pierre-Auguste Renoir and Georges Seurat. Despite facing financial hardships and occasional criticism of his work, he remained dedicated to his artistic vision despite living in poverty. He continued to paint prolifically until an eye disease rendered him blind and he died shortly after in 1903, leaving behind a legacy that cemented his place as one of the most significant artists in the transition from realism to modern art.

popular name: Jean-Auguste-Dominique Ingres

date_of_death: January 14, 1867

age: 86

cause_of_death: Pneumonia

claim_to_fame: Artists

best_know_for: Jean-Auguste-Dominique Ingres (1780–1867) was a French Neoclassical painter, widely regarded for his mastery in portraiture and his precise, smooth technique. Born in Montauban, France, Ingres showed early talent in drawing, leading him to study at the prestigious École des Beaux-Arts in Paris. He was a student of Jacques-Louis David, a leading figure in the Neoclassical movement, which emphasized order, clarity, and idealized forms. Ingres' career spanned several decades, during which he developed a style distinct from the Romantic movement that was emerging in France. Though he was often criticized for being too rigid and traditional, he stuck to his classical ideals, focusing on linear precision, a sense of balance, and attention to detail. His most famous works include portraits like Madame Moitessier, Mademoiselle Caroline Rivière (1806) and historical paintings such as The Apotheosis of Homer. In his lifetime, Ingres achieved considerable recognition, including being appointed the director of the French Academy in Rome, where he spent a significant period of his life. His influence extended beyond his own time, impacting later artists, including the development of academic and modernist art. Upon his death at the age of 82, Ingres was interred in the Père Lachaise Cemetery in Paris with a tomb sculpted by his student Jean-Marie Bonnassieux. The contents of his studio, including a number of major paintings, over 4000 drawings, and his violin, were bequeathed by the artist to the city museum of Montauban, now known as the Musée Ingres.