Al Jackson Jr.

popular name: Scrapper Blackwell

date_of_death: October 7, 1962

age: 59

cause_of_death: Murdered (solved but no arrest)

claim_to_fame: Music

best_know_for: Scrapper Blackwell, together with Leroy Carr are arguably the two most underrated blues musicians of the 1920s and 1930s. What is undeniable is the two together created some of the most recorded blues classics including How Long, How Long Blues, Mean Mistreater Mama and When the Sun Goes Down

popular name: Alain Bashung

date_of_death: March 14, 2009

age: 61

cause_of_death: Lung cancer

claim_to_fame: Music

best_know_for: Alain Bashung was a French singer, songwriter and actor credited with reviving the French chanson in "a time of French musical turmoil" and was one of the most influential and admired French singer/songwriters of the last 40 years. His songs were heavily influenced by American blues and rock, but he belonged to the world of Parisian chanson, inheriting the tradition of Charles Trenet, Georges Brassens and Serge Gainsbourg. He is often regarded in his home country as the most important French rock musician after Serge Gainsbourg. He rose to prominence in the early 1980s with hit songs such as "Gaby oh Gaby" and "Vertige de l'amour", and later had a string of hit records from the 1990s onward, such as "Osez Joséphine", "Ma petite entreprise" and "La nuit je mens". He has had an influence on many later French artists, and is the most awarded artist in the Victoires de la Musique history with 12 victories obtained throughout his career. Bashung died at age 61 after a two-year battle with lung cancer. He was interred at Cimetière du Père Lachaise in Paris, France.

popular name: Frédéric Chopin

date_of_death: October 17, 1849

age: 39

cause_of_death: Pericarditis - a rare complication of tuberculosis that causes swelling of the membrane surrounding the heart

claim_to_fame: Music

best_know_for: Frederic Chopin was a Polish-born pianist and composer of matchless genius in the realm of keyboard music. As a pianist, his talents were beyond emulation and had an impact on other musicians entirely out of proportion to the number of concerts he gave — only 30 public performances in 30 years. No one before or since has contributed as many significant works to the piano's repertoire, or come closer to capturing its soul.