Al Jackson Jr.

popular name: Scrapper Blackwell

date_of_death: October 7, 1962

age: 59

cause_of_death: Murdered (solved but no arrest)

claim_to_fame: Music

best_know_for: Scrapper Blackwell, together with Leroy Carr are arguably the two most underrated blues musicians of the 1920s and 1930s. What is undeniable is the two together created some of the most recorded blues classics including How Long, How Long Blues, Mean Mistreater Mama and When the Sun Goes Down

popular name: Woody Herman

date_of_death: October 29, 1987

age: 74

cause_of_death: Complications from congestive heart failure, emphysema, and pneumonia

claim_to_fame: Music

best_know_for: Woody Herman (1913–1987) was a major figure in American jazz, known for leading a series of innovative big bands over five decades. Born in Milwaukee, Wisconsin, he was a child performer in vaudeville before turning to music full-time, mastering the clarinet and saxophone. Herman rose to prominence in the 1930s and 1940s with his orchestra, “The Herd,” which became famous for blending swing with more modern, experimental sounds. Unlike many bandleaders of his era, he embraced change, incorporating elements of bebop and later jazz styles, and nurturing young talent such as Stan Getz and Zoot Sims. His bands produced hits like “Woodchopper’s Ball” and “Caldonia,” and were known for their energetic, blues-infused style. Herman remained active as a performer and bandleader until his death in 1987, leaving a legacy as a forward-thinking musician who helped bridge the swing era and modern jazz.

popular name: Bix Beiderbecke

date_of_death: August 6, 1931

age: 28

cause_of_death: Lobar pneumonia coupled with edema of the brain and the effects of long-term alcoholism

claim_to_fame: Music

best_know_for: Bix Beiderbecke was an American jazz cornetist, pianist and composer who was one of the most influential jazz soloists of the 1920s. As a cornet player noted for an inventive lyrical approach and purity of tone and with such clarity of sound that Eddie Condon described it like "Beiderbecke took out a silver cornet. He put it to his lips and blew a phrase. The sound came out like a girl saying yes." His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate his gift for extended improvisation that heralded the jazz ballad style. Sadly he died at the young age of 28 due primarily to his prodigious consumption of alcohol.