Al Jackson Jr.

popular name: Scrapper Blackwell

date_of_death: October 7, 1962

age: 59

cause_of_death: Murdered (solved but no arrest)

claim_to_fame: Music

best_know_for: Scrapper Blackwell, together with Leroy Carr are arguably the two most underrated blues musicians of the 1920s and 1930s. What is undeniable is the two together created some of the most recorded blues classics including How Long, How Long Blues, Mean Mistreater Mama and When the Sun Goes Down

popular name: Memphis Minnie

date_of_death: August 6, 1973

age: 76

cause_of_death: Stroke

claim_to_fame: Music

best_know_for: She transcended both gender and genre. Her recording career reached from the 1920s heyday of country blues to cutting electric sides in 1950s Chicago studios for the Chess subsidiary Checker. Minnie helped form the roots of electric Chicago blues, as well as R&B and rock ‘n’ roll

popular name: Arnold Schoenberg

date_of_death: July 13, 1951

age: 76

cause_of_death: Myocardial infarction

claim_to_fame: Music

best_know_for: Arnold Schoenberg was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. Schoenberg's approach, both in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify innovations in atonality (although Schoenberg himself detested that term) that would become the most polemical feature of 20th-century classical music. In the 1920s, Schoenberg developed the twelve-tone technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg's archival legacy is held at the Arnold Schönberg Center in Vienna.