Auguste Rodin

popular name: Gustave Caillebotte

date_of_death: February 21, 1894

age: 45

cause_of_death: Stroke

claim_to_fame: Artists

best_know_for: Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. He was noted for his early interest in photography as an art form, and is best known for his paintings of urban Paris, such as The Europe Bridge (Le Pont de l'Europe) (1876), and Paris Street; Rainy Day (Rue de Paris; temps de pluie, also known as La Place de l'Europe, temps de pluie) (1877). Born in Paris in 1848, Caillebotte studied law and engineering before fighting in the Franco–Prussian War from 1870 to 1871. After the war’s end, he studied at the studio of Léon Bonnat and later at the École des Beaux Arts. Upon meeting Edgar Degas, Auguste Renoir and Claude Monet, Caillebotte experimented further with capturing the changing face of everyday Parisian life. Caillebotte made his debut in the second Impressionist exhibition in 1876, showing eight paintings, including Les raboteurs de parquet (The Floor Scrapers) (1875), his earliest masterpiece. Cropping and "zooming-in", techniques that commonly are found in Caillebotte's oeuvre, may also be the result of his interest in photography, but may just as likely be derived from his intense interest in perspective effects. A large number of Caillebotte's works also employ a very high vantage point, including View of Rooftops (Snow) (Vue de toits (Effet de neige)) (1878), Boulevard Seen from Above (Boulevard vu d'en haut) (1880), and A Traffic Island (Un refuge, boulevard Haussmann) (1880).

popular name: Élisabeth Vigée Le Brun

date_of_death: March 30, 1842

age: 86

cause_of_death: Ill health due to stroke

claim_to_fame: Artists

best_know_for: Élisabeth Louise Vigée Le Brun was one of the great portrait artists in the late 18th and early 19th centuries, easily the equal of Quentin de La Tour or Jean Baptiste Greuze. Born into relatively modest circumstances, she firmly established herself in society’s upper crust. After earning the favours of the king and his family, she became the official artist of Queen Marie Antoinette. One of the most successful women artists (unusually so for her time), particularly noted for her portraits of women, her father and first teacher, Louis Vigée, was a noted portraitist who worked chiefly in pastels. Her great opportunity came in 1779 when she was summoned to Versailles to paint a portrait of Queen Marie-Antoinette. The two women became friends, and in subsequent years Vigée-Lebrun painted more than 20 portraits of Marie-Antoinette in a great variety of poses and costumes. She also painted a great number of self-portraits, in the style of various artists whose work she admired. During her 60+ years as an artist, Le Brun created 660 portraits and 200 landscapes. In addition to many works in private collections, her paintings are owned by major museums such as the Louvre in Paris, Hermitage Museum in Saint Petersburg, National Gallery in London, Metropolitan Museum of Art in New York, and many other collections in Europe and the United States. Since 1999 the record price for an original Elisabeth Vigée Le Brun at auction is $7,185,900 USD for Portrait of Muhammad Dervish Khan (full-length holding his sword in a landscape).

popular name: Robert Mapplethorpe

date_of_death: March 9, 1989

age: 42

cause_of_death: Complications from HIV/AIDS

claim_to_fame: Artists

best_know_for: Robert Mapplethorpe was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images. His most controversial works documented and examined the gay male BDSM subculture of New York City in the late 1960s and early 1970s. A 1989 exhibition of Mapplethorpe's work, titled Robert Mapplethorpe: The Perfect Moment, sparked a debate in the United States concerning both use of public funds for "obscene" artwork and the Constitutional limits of free speech in the United States.