Joey Ramone

popular name: Michael Bloomfield

date_of_death: February 15, 1981

age: 37

cause_of_death: Cocaine and methamphetamine poisoning

claim_to_fame: Music

best_know_for: Michael Bloomfield was an American guitarist and composer who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's legendary blues musicians such as as Sleepy John Estes, Yank Rachell, Little Brother Montgomery, Luther "Guitar Junior" Johnson, Howlin' Wolf and Muddy Waters before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's Highway 61 Revisited, including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival. Bloomfield was ranked No. 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and No. 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015. Upon his death, he was laid to rest at Hillside Memorial Park in Los Angeles, California.

popular name: Bill Black

date_of_death: October 21, 1965

age: 39

cause_of_death: Brain tumor

claim_to_fame: Music

best_know_for: When Elvis Presley cut his first ground-breaking single "That's All Right, Mama" he was backed by Sun Studio musicians Scotty Moore on guitar and Bill Black on bass. With D. J. Fontana later added as drummer, the four hit the road and played every dancehall, fairground and club that manager Tom Parker could book. Black and Moore became Presley's backup group and were paid 25% of his earnings with the group billed as "Elvis Presley and the Blue Moon Boys." Black played on early Presley recordings including "Good Rockin' Tonight", "Heartbreak Hotel", "Baby Let's Play House", "Mystery Train", "That's All Right", and "Hound Dog", and eventually became one of the first bass players to use the Fender Precision Bass (bass guitar) in popular music, on "Jailhouse Rock", in the late 1950s. But what could have been the first great rock 'n' roll band fell apart when Parker paid and treated the other musicians as just the hired help. In 1959, Black joined a group of musicians which became Bill Black's Combo. The original lineup was Black (bass), Joe Lewis Hall (piano), Reggie Young (guitar), Martin Willis (saxophone), and Jerry Arnold (drums) although there were several personnel changes over the years. The band released blues instrumental "Smokie" for Hi Records in December 1959 and the follow-up "Smokie, Part 2" became a No. 17 U.S. pop hit, and made number one on the "black" music charts. It sold over one million copies, and was awarded a gold disc by the RIAA. During his brief career the Bill Black Combo released 22 singles, 14 albums, and sold over 5 million records before Bill succumbing to brain cancer.

popular name: Bobbe Van Heusen

date_of_death: May 2, 1999

age: 98

cause_of_death: Natural Causes

claim_to_fame: Music

best_know_for: Bobbe Van Heusen was married to the famous composer Jimmy Van Heusen. She was part of The Brox Sisters, which was an American trio of singing sisters, enjoying their greatest popularity in the 1920s and early 1930s. The trio performed in Irving Berlin's Music Box Revue from 1921 to 1924, at the New York Theatre. Berlin's hit song "Everybody Step" was written for and debuted by the sisters. They recorded a number of Berlin compositions, including "Bring on the Pepper," "How Many Times," "Lazy," "School House Blues," "Some Sunny Day," and "Tokio Blues." In 1925 and 1926, they performed on Broadway in the musical comedy The Cocoanuts, with the Marx Brothers. In 1927, they appeared in the Ziegfeld Follies of 1927 at the New Amsterdam Theatre with comedian Eddie Cantor. The Brox Sisters were among the earliest artists to appear on Warner Bros.' Vitaphone sound shorts in the late 1920s. They were featured in three productions: "Glorifying the American Song," "Down South" (both in 1928), and "Headin' South" (1929).