Joey Ramone

Birth Name:
Jeffrey Ross Hyman
Birth Date:
September 18, 1951
Birth Place:
Queens, New York
Death Date:
June 5, 2002
Place of Death:
New York-Presbyterian Hospital, Manhattan, New York
Age:
49
Cause of Death:
Seven-year battle with lymphoma 
Cemetery Name:
New Mount Zion Cemetery
Claim to Fame:
Music
Suffering from crippling OCD at times, Joey Ramone was nonetheless an iconic, punk counterculture rock and roll icon as lead singer and songwriter of The Ramones. Joey, Johnny, Dee Dee and Tommy – the original Ramones, all deceased – never achieved million-seller status for any of their 14 albums but their legacy extends well beyond the five NYC boroughs, with Joey’s snarling vocals and gangly, leather jacketed image turning him into a 20th century countercultural icon.

Cemetery Information:

Final Resting Place:

New Mount Zion Cemetery

153 Orient Way

Lyndhurst, New Jersey, 07071

USA

North America

Map:

Map of New Mount Zion Cemetery in Lyndhurst, New Jersey
Map of New Mount Zion Cemetery in Lyndhurst, New Jersey

Grave Location:

New York Social Club

Grave Location Description

Walk through the gates of the New York Social Club and walk up three rows, turn right and count ten graves into the section and will arrive at the final resting place of Joey Ramone.

Grave Location GPS

40.808222, -74.109274

Visiting The Grave:

Photos:

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FAQ's

Joey Ramone was born on September 18, 1951.

Joey Ramone was born in Queens, New York.

Joey Ramone died on June 5, 2002.

Joey Ramone died in New York-Presbyterian Hospital, Manhattan, New York.

Joey Ramone was 49.

The cause of death was Seven-year battle with lymphoma .

Joey Ramone's grave is in New Mount Zion Cemetery

Read More About Joey Ramone:

Videos Featuring Joey Ramone:

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Bunk Johnson

popular name: Bunk Johnson

date_of_death: July 7, 1949

age: 63

cause_of_death: Lingering effects of a stroke

claim_to_fame: Music

best_know_for: Willie "Bunk" Johnson was a prominent jazz trumpeter in New Orleans who lied and/or exaggerated his role in the development of jazz that historians have a difficult time understanding the truth from fiction. But what everyone agrees on is that Johnson was regarded as one of the leading trumpeters in New Orleans in the years 1905–1915, in between repeatedly leaving the city to tour with minstrel shows and circus bands. In the 1920’s and 1930’s, Bunk Johnson spent much of his music-playing time in the southwest Louisiana/southeast Texas region with New Iberia, Louisiana as his “base” and primary residence. While in the area he played frequently with the locally-based Banner Band, which traveled in a variety of vehicles to nearby southern Louisiana and Texas towns. Unlike many other jazz musicians Bunk did not achieve great monetary wealth, but he never shied away from jobs that helped supplement his music income. Along the path of his life, Johnson worked in such jobs as funeral parlor work in Texas, dock work in San Francisco, cigar-making work in the upper mid-west, rice processing and sugar cane field truck-driving in Iberia Parish, and a music teacher in the Iberia Parish, Louisiana school system. In 1942 William Russell and two other jazz researchers went to New Orleans and made a series of records of Bunk playing with a band that included George Lewis (clarinet) and Jim Robinson (trombone). The researchers also interviewed Johnson, who claimed he had taught Louis Armstrong and Joe "King" Oliver (actually Louis Armstrong admitted he mimicked King Oliver and Bunk Johnson style - but never was taught by Bunk). With the help from contacts in Cleveland and the new recordings, Johnson set off on a wild seven-year jazz history odyssey, playing in San Francisco, Los Angeles, Boston, New York, New Orleans, Chicago and Philadelphia, being praised by the press, and making dozens of records that were said to be authentic recreations of the earliest forms of jazz. The enthusiastic jazz researchers who found Johnson and promoted him, quickly discovered, however, they had created something of a monster. According to the many, Bunk emerged as essentially a manipulative con man, often begging the researchers for money, frequently getting drunk, and sometimes failing to show up for concerts. Eventually, Johnson managed to alienate most of his friends. Sidney Bechet fired him from his band and Armstrong, who in 1939 praised Bunk as his "life-long inspiration," later said angrily, "Bunk taught me nothing!" The Bunk Johnson saga ended when he suffered two strokes in late 1948. He died the following July and was interred at St. Edward Cemetery in New Iberia, Louisiana.

Big Walter Horton

popular name: Big Walter Horton

date_of_death: December 8, 1981

age: 60

cause_of_death: Heart disease

claim_to_fame: Music

best_know_for: Big Walter “Shakey” Horton was legendary blues harmonica and vocalist and while much less known than Little Walter or Sonny Boy Williamson #2, was one of the greatest harp players in the history of the blues. While he recorded very little under his own name, his talent graced the records of Memphis Minnie, Muddy Waters, Big Joe Williams, Willie Dixon and Eddie Taylor. Horton (who is said to have been somewhat shy) was not a natural group leader and therefore produced few solo albums. His best work is as a sideman; his backup harmonica and virtuoso harp solos have graced many great Chicago blues recordings -- turning an otherwise good cut into a dynamite jam. Sadly his final years were marked by few opportunities, no recording contract and an excessive amount of alcohol. He died in extreme poverty at the age of 60 from heart disease. According to Willie Dixon, Big Walter "was the best blues harmonica player in the world."

Heavy D

popular name: Heavy D

date_of_death: November 8, 2011

age: 44

cause_of_death: Pulmonary embolism

claim_to_fame: Music

best_know_for: Heavy D was a Jamaican-born American rapper, record producer, singer and actor who was among a handful of hip-hop stars from the 1980s who successfully established a lasting career. Having created a string of infectious, party-time hits with Heavy D & the Boyz including Now That We Found Love and Mr. Big Stuff, he was able to extend his reach into the commercial mainstream through collaborations with BB King and Michael Jackson, and subsequently exhibited bankable skills as both a businessman and actor. Although he was past his commercial peak as a musician, his last album, Love Opus showed that he had not entirely run out of creative juice.

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