Joey Ramone

Birth Name:
Jeffrey Ross Hyman
Birth Date:
September 18, 1951
Birth Place:
Queens, New York
Death Date:
June 5, 2002
Place of Death:
New York-Presbyterian Hospital, Manhattan, New York
Age:
49
Cause of Death:
Seven-year battle with lymphoma 
Cemetery Name:
New Mount Zion Cemetery
Claim to Fame:
Music
Suffering from crippling OCD at times, Joey Ramone was nonetheless an iconic, punk counterculture rock and roll icon as lead singer and songwriter of The Ramones. Joey, Johnny, Dee Dee and Tommy – the original Ramones, all deceased – never achieved million-seller status for any of their 14 albums but their legacy extends well beyond the five NYC boroughs, with Joey’s snarling vocals and gangly, leather jacketed image turning him into a 20th century countercultural icon.

Cemetery Information:

Final Resting Place:

New Mount Zion Cemetery

153 Orient Way

Lyndhurst, New Jersey, 07071

USA

North America

Map:

Map of New Mount Zion Cemetery in Lyndhurst, New Jersey
Map of New Mount Zion Cemetery in Lyndhurst, New Jersey

Grave Location:

New York Social Club

Grave Location Description

Walk through the gates of the New York Social Club and walk up three rows, turn right and count ten graves into the section and will arrive at the final resting place of Joey Ramone.

Grave Location GPS

40.808222, -74.109274

Visiting The Grave:

Photos:

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FAQ's

Joey Ramone was born on September 18, 1951.

Joey Ramone was born in Queens, New York.

Joey Ramone died on June 5, 2002.

Joey Ramone died in New York-Presbyterian Hospital, Manhattan, New York.

Joey Ramone was 49.

The cause of death was Seven-year battle with lymphoma .

Joey Ramone's grave is in New Mount Zion Cemetery

Read More About Joey Ramone:

Videos Featuring Joey Ramone:

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Sam Butera

popular name: Sam Butera

date_of_death: June 3, 2009

age: 81

cause_of_death: Pneumonia

claim_to_fame: Music

best_know_for: Sam Butera was a tenor saxophonist best noted for his collaborations with Louis Prima and Keely Smith. Butera is frequently regarded as a crossover artist who performed with equal ease in both R&B and the post-big band pop style of jazz that permeated the early Vegas nightclub scene. With Louis Prima, Butera remained the bandleader of The Witnesses for more than twenty years. During that time, he performed with Louis Prima and/or Keely Smith on such Prima-associated songs as "That Old Black Magic", "Just a Gigolo/I Ain't Got Nobody," "Come on-a My House," and "I Wan'na Be Like You" (from Disney's The Jungle Book). Butera is noted for his raucous playing style, his off-color humor, and the innuendo in his lyrics. The arrangement he made with Prima of "Just a Gigolo/I Ain't Got Nobody" has been covered by David Lee Roth, Los Lobos, Brian Setzer, The Village People, and Big Bad Voodoo Daddy. In addition to his accomplishments as a saxophonist and composer, Butera is widely regarded as the inspiration for the vocal style of fellow New Orleans-born jazz singer Harry Connick, Jr. Upon his passing, he was interred at Greenwood Cemetery in New Orleans, Louisiana.

Al Jackson Jr.

popular name: Al Jackson Jr.

date_of_death: October 1, 1975

age: 39

cause_of_death: Murdered (unsolved)

claim_to_fame: Music

best_know_for: Dubbed “The Human Timekeeper” for his impeccable rhythm and timing, Al Jackson, Jr. was a member of the seminal Stax Records house band Booker T. and the MG’s and provided the beat for the likes of Al Green, Sam & Dave, Otis Redding, Tina Turner, Eric Clapton, and Albert King during his brief yet illustrious career.

Bix Beiderbecke

popular name: Bix Beiderbecke

date_of_death: August 6, 1931

age: 28

cause_of_death: Lobar pneumonia coupled with edema of the brain and the effects of long-term alcoholism

claim_to_fame: Music

best_know_for: Bix Beiderbecke was an American jazz cornetist, pianist and composer who was one of the most influential jazz soloists of the 1920s. As a cornet player noted for an inventive lyrical approach and purity of tone and with such clarity of sound that Eddie Condon described it like "Beiderbecke took out a silver cornet. He put it to his lips and blew a phrase. The sound came out like a girl saying yes." His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate his gift for extended improvisation that heralded the jazz ballad style. Sadly he died at the young age of 28 due primarily to his prodigious consumption of alcohol.

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