Joey Ramone

popular name: Scrapper Blackwell

date_of_death: October 7, 1962

age: 59

cause_of_death: Murdered (solved but no arrest)

claim_to_fame: Music

best_know_for: Scrapper Blackwell, together with Leroy Carr are arguably the two most underrated blues musicians of the 1920s and 1930s. What is undeniable is the two together created some of the most recorded blues classics including How Long, How Long Blues, Mean Mistreater Mama and When the Sun Goes Down

popular name: Nick Drake

date_of_death: November 25, 1974

age: 26

cause_of_death: Overdose of amitriptyline (a prescribed antidepressant)

claim_to_fame: Music

best_know_for: Nick Drake was an English singer-songwriter and musician best known for his acoustic, mournful, melancholy songs. With only three albums released to middling reviews, abysmal sales coupled with his descent into mental illness he failed to find a wide audience during his lifetime, And while some like to call him "the most influential English singer-songwriters of the last 50 years", quite frankly his influence and legacy has largely been forgotten.

popular name: Bunk Johnson

date_of_death: July 7, 1949

age: 63

cause_of_death: Lingering effects of a stroke

claim_to_fame: Music

best_know_for: Willie "Bunk" Johnson was a prominent jazz trumpeter in New Orleans who lied and/or exaggerated his role in the development of jazz that historians have a difficult time understanding the truth from fiction. But what everyone agrees on is that Johnson was regarded as one of the leading trumpeters in New Orleans in the years 1905–1915, in between repeatedly leaving the city to tour with minstrel shows and circus bands. In the 1920’s and 1930’s, Bunk Johnson spent much of his music-playing time in the southwest Louisiana/southeast Texas region with New Iberia, Louisiana as his “base” and primary residence. While in the area he played frequently with the locally-based Banner Band, which traveled in a variety of vehicles to nearby southern Louisiana and Texas towns. Unlike many other jazz musicians Bunk did not achieve great monetary wealth, but he never shied away from jobs that helped supplement his music income. Along the path of his life, Johnson worked in such jobs as funeral parlor work in Texas, dock work in San Francisco, cigar-making work in the upper mid-west, rice processing and sugar cane field truck-driving in Iberia Parish, and a music teacher in the Iberia Parish, Louisiana school system. In 1942 William Russell and two other jazz researchers went to New Orleans and made a series of records of Bunk playing with a band that included George Lewis (clarinet) and Jim Robinson (trombone). The researchers also interviewed Johnson, who claimed he had taught Louis Armstrong and Joe "King" Oliver (actually Louis Armstrong admitted he mimicked King Oliver and Bunk Johnson style - but never was taught by Bunk). With the help from contacts in Cleveland and the new recordings, Johnson set off on a wild seven-year jazz history odyssey, playing in San Francisco, Los Angeles, Boston, New York, New Orleans, Chicago and Philadelphia, being praised by the press, and making dozens of records that were said to be authentic recreations of the earliest forms of jazz. The enthusiastic jazz researchers who found Johnson and promoted him, quickly discovered, however, they had created something of a monster. According to the many, Bunk emerged as essentially a manipulative con man, often begging the researchers for money, frequently getting drunk, and sometimes failing to show up for concerts. Eventually, Johnson managed to alienate most of his friends. Sidney Bechet fired him from his band and Armstrong, who in 1939 praised Bunk as his "life-long inspiration," later said angrily, "Bunk taught me nothing!" The Bunk Johnson saga ended when he suffered two strokes in late 1948. He died the following July and was interred at St. Edward Cemetery in New Iberia, Louisiana.