WARNING: EXPLICIT MATERIAL

Nusch Éluard

Birth Name:
Maria Benz
Birth Date:
June 21, 1906
Birth Place:
Mulhouse, France
Death Date:
November 28, 1946
Place of Death:
Paris, France
Age:
40
Cause of Death:
Stroke
Cemetery Name:
Cimetière du Père Lachaise
Claim to Fame:
Artists
Associates:
Nicknamed “Nusch” by artist Max Bill, she was a French performer, model and surrealist artist. In 1930 she met the poet Paul Éluard working as a model. They married him in 1934. She produced surrealist photomontage and other works, and is the subject of “Facile,” a collection of Éluard’s poetry published as a photogravure book, illustrated with Man Ray’s nude photographs of her. Later she was the subject of several cubist portraits and sketches by Pablo Picasso in the late 1930s with whom she had an affair. Nusch worked for the French Resistance during the Nazi occupation of France during World War II and died suddenly in 1946 in Paris, collapsing in the street due to a massive stroke.

Fun Fact:

Cécile Eluard-Boaretto (1918-2016) was the daughter of Paul Eluard and his first wife Gala (who left Paul for artist Salvador Dali). She chose to be buried with her stepmother rather than with either of her parents.

Cemetery Information:

Final Resting Place:

Cimetière du Père Lachaise

16 Rue du Repos, 6ème division, Chemin Lesseps

Paris, , 75020

France

Europe

Map:

Cemetery map of Cimetière du Père Lachaise in Paris, France.
Cemetery map of Cimetière du Père Lachaise in Paris, France.

Grave Location:

Division 84, avenue transversale n°3, line 5

Grave Location Description

Inscription on her tomb reads in English:

Nush ÉLUARD (1906-1946))
Twenty-eight November one thousand nine hundred and forty-six
We will not grow old together
Here is the day
Too much : time overflows
My love so light takes on the weight of a torment.

Paul Éluard

Cécile Eluard-Boaretto 1918-2016

Grave Location GPS

48.863393, 2.396231

Photos:

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Gustave Caillebotte

popular name: Gustave Caillebotte

date_of_death: February 21, 1894

age: 45

cause_of_death: Stroke

claim_to_fame: Artists

best_know_for: Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. He was noted for his early interest in photography as an art form, and is best known for his paintings of urban Paris, such as The Europe Bridge (Le Pont de l'Europe) (1876), and Paris Street; Rainy Day (Rue de Paris; temps de pluie, also known as La Place de l'Europe, temps de pluie) (1877). Born in Paris in 1848, Caillebotte studied law and engineering before fighting in the Franco–Prussian War from 1870 to 1871. After the war’s end, he studied at the studio of Léon Bonnat and later at the École des Beaux Arts. Upon meeting Edgar Degas, Auguste Renoir and Claude Monet, Caillebotte experimented further with capturing the changing face of everyday Parisian life. Caillebotte made his debut in the second Impressionist exhibition in 1876, showing eight paintings, including Les raboteurs de parquet (The Floor Scrapers) (1875), his earliest masterpiece. Cropping and "zooming-in", techniques that commonly are found in Caillebotte's oeuvre, may also be the result of his interest in photography, but may just as likely be derived from his intense interest in perspective effects. A large number of Caillebotte's works also employ a very high vantage point, including View of Rooftops (Snow) (Vue de toits (Effet de neige)) (1878), Boulevard Seen from Above (Boulevard vu d'en haut) (1880), and A Traffic Island (Un refuge, boulevard Haussmann) (1880).

Élisabeth Vigée Le Brun

popular name: Élisabeth Vigée Le Brun

date_of_death: March 30, 1842

age: 86

cause_of_death: Ill health due to stroke

claim_to_fame: Artists

best_know_for: Élisabeth Louise Vigée Le Brun was one of the great portrait artists in the late 18th and early 19th centuries, easily the equal of Quentin de La Tour or Jean Baptiste Greuze. Born into relatively modest circumstances, she firmly established herself in society’s upper crust. After earning the favours of the king and his family, she became the official artist of Queen Marie Antoinette. One of the most successful women artists (unusually so for her time), particularly noted for her portraits of women, her father and first teacher, Louis Vigée, was a noted portraitist who worked chiefly in pastels. Her great opportunity came in 1779 when she was summoned to Versailles to paint a portrait of Queen Marie-Antoinette. The two women became friends, and in subsequent years Vigée-Lebrun painted more than 20 portraits of Marie-Antoinette in a great variety of poses and costumes. She also painted a great number of self-portraits, in the style of various artists whose work she admired. During her 60+ years as an artist, Le Brun created 660 portraits and 200 landscapes. In addition to many works in private collections, her paintings are owned by major museums such as the Louvre in Paris, Hermitage Museum in Saint Petersburg, National Gallery in London, Metropolitan Museum of Art in New York, and many other collections in Europe and the United States. Since 1999 the record price for an original Elisabeth Vigée Le Brun at auction is $7,185,900 USD for Portrait of Muhammad Dervish Khan (full-length holding his sword in a landscape).

Georges Seurat

popular name: Georges Seurat

date_of_death: March 29, 1891

age: 31

cause_of_death: Infectious angina, meningitis, pneumonia

claim_to_fame: Artists

best_know_for: Georges Seurat was a French painter and one of the pioneers of the Pointillist movement, a technique where paintings are made up of tiny dots of color. Born on December 2, 1859, in Paris, Seurat studied at the École des Beaux-Arts, where he developed his unique style. His most famous work, A Sunday Afternoon on the Island of La Grande Jatte (1884–1886), exemplifies Pointillism, using meticulous color theory to create vibrant, luminous scenes and is considered one of the icons of late 19th-century painting. Seurat's approach was rooted in scientific studies of color and optics, drawing on the work of theorists like Michel Eugène Chevreul. Although his career was short—he died in 1891 at just 31—his influence on modern art was profound. Seurat also worked with large-scale compositions, focusing on the impact of light and color. His innovative techniques laid the foundation for future movements such as Post-Impressionism and even elements of abstraction. Despite his early death, Seurat's legacy endures, and he remains a significant figure in the evolution of modern art.

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